Cheers to 2017!

I was so happy with my studio time this year. Making new connections on Instagram and being involved with the Welcome Gallery in downtown Charlottesville, VA were also some highlights. So many things I want to accomplish in 2018: one is getting my art out into the world in an organized way, working on exciting compositions and bringing the magic of working on paper to canvas. I am also working on my teachers' certification. Hope all of your dreams come true in 2018!

Built on Broken Dreams

18” x 24”,

acrylic on canvas

Spring Blossoms

18” x 18”,

acrylic on canvas
Available

Alternate Paths II

14” x 17”, 

acrylic & cut paper on paper

Alternate Paths I

14” x 17”, 

acrylic & cut paper on paper

Where the Green Grass Grows II

14” x 16”, 

acrylic & cut paper on paper

Towering

14” x 17”, 

acrylic & cut paper on paper

Destination Vacation

24” x 36”,

acrylic on canvas

Available works on paper matted to 8" x 10"

Carol H. Barber © 2017

Gallery Tour

Check out my Fruit Roll-Up "glass" vessel on the food table.
I hope if you are in the Melrose area that you can visit the gallery during the month of June. It will be open regular hours.
Melrose Bay Art Gallery
103 SR-26, PO Box 36 - Melrose, FL 32666
ph. (352) 475-3866 or 871-5633 (cell)
hours: Fri 3-7pm, Sat 10am-6pm, Sun 1-5pm (call on weekdays)

The gallery looks so pretty right now. I was blown away by how some of Sarah and Sky's color combinations matched the colors of the paintings.

Our Primordial Tree

This is a large piece, 36 x 24. I was still working with the thick surface texture in this painting.

Thinking Man

I tried the thick modeling paste again. The results are interesting. I don't know if I am ready for solid blocks of color, I miss the variation of tones that was in the still life. But I do like the three dimensional presence of the thick modeling paste.

Island Shell

Composition - I feel like I am moving into a positive direction with compositions. I am starting with shapes of color and gesture marks to define spaces unlike before when I was starting with splashes of paint and texture.
Mediums - I haven't mastered where I want to go using the different acrylic mediums. I want the pieces to have thin washed areas and thick grainy areas like mixed media work. I used to be better at this than I am doing now, I would work a lot of wet into wet and wash everything off if it got to heavy. I would also use paper collage and stamping techniques. I am being too heavy handed with a brush now and getting that thick plastic look acrylics can have.
Color - I am happy letting colors stay in their areas of the painting. I once thought that all the colors had to be spread over the entire painting to unify it. So for instance a big face can be blue on one side and red on one side and yellow on the top to relate to its area of the painting not a face that is all blue with red shadows throughout and yellow highlights. So for this Island Shell painting, I started moving the yellow green around the painting but resisted the urge to put the white in another area and the teal in other areas. I guess it really is a matter of not over working.
Writings - I started writing short sentences to go with my paintings for the show. It is fun and comes really easy and fast. For some, I think a little bit about what I was feeling and thinking about at the time of the painting. For others it is just my interpretation of the image. It seems the more ambiguous the painting the easier it is to write for them. Making my nonlinear dreamscape type of compositions seem more valid. This is the writing for this piece: "The hot tropical night anticipates treasures for tomorrow."