Show at the Thomas Center

Here are some teaser photos of the show at the Thomas Center. Sarah and Sky's Island of Wild Things was a total surprise for me. And it is crazy how it goes with some of my paintings, especially since we didn't collaborate. It makes me wonder what would happen if we did collaborate. I can see doing some drawings and paintings from their island.
Reception is October 1st from 5 to 7 pm.

Thomas Center Show

I took my work to the Thomas Center this morning. I have had that date on my calendar for along time and to get to the other side feels sweet. Now I get to sit back and watch the staff of the Thomas Center work their magic in the hanging of the show.
I was excited about my latest painting but in my haste to deliver, I didn't take its picture. It reflects my love of Odilon Redon's work and I want to keep working with the figure. I will post some pictures after the installation.
The reception is Thursday, October 1st from 5 to 7 pm. The show runs from September 19 - October 18th.

New MT's Chop House

I just installed nine paintings at a restaurant with a new location. I was proud of myself for wielding the measuring tape and cordless drill. I literally had to run around due to limited time and needing to pick up my sons from their schools. I think that helped though: just do and don't think. The paintings look nice in this new location. Wishing them good luck on their opening.

Thin Washes

Warm Wind


Peter Doig, Peter Doig, Peter Doig. I want to be like the contemporary artist Peter Doig. I saw a youtube video of his latest exhibition and the narrator was talking about the thin washes that he used. So I tried these latest palms in thin washes of acrylic. I was surprised that I could paint vertical on the easel with the paint this thin. I liked the process of really moving the brush in this painting. Although it is nothing like Peter Doig.

I have a habit of breaking my subjects into many different colored shapes. I want to try breaking the composition into color blocks and allowing whatever is in that area to stay basically that color. I have observed this method in Odilon Redon's color work. An artist that I love from art's past.


Approaching Storm

One thing that I do like that is happening in my paintings is the staking of layers of shapes. Like is happening on the right side of "Approaching Storm".


I just read a new novel by Samantha Peale entitled "The American Painter Emma Dial". It was a fun book to read and strengthened my desire to be a serious painter. I had already decided to do paintings that I wanted to do and not worry so much about what might sell. I am thinking about getting a job in a print shop part time once my son goes to school. I think it will be more freeing to my art to have a job for income rather than try to rely on it for income.

Summer Work

Dancing Beach Trees

























Reflection in Blue



Wedding present for a couple who like to scuba dive and have a new dog.




My camp studio in the woods. My husband is building an oven out of native stone in the background.

Going with the Flow

I am reminded of my flower bed in the backyard. I started flowers from seed in the Spring in hopes of seeing bursts of color from our windows. I used some soil from our compost pile to strengthen our sandy soil. What I have now is oodles of little tomato plants all around the house that came from the compost and one little sunflower blossom that I can see from the window. Maybe in the Fall when the weather cools the tomato blossoms will set and I can make colorful salsas and sauces. Who knows? I will have to go with the flow and see.
My goal for the Summer is to paint some Florida water inspired paintings for a show I am having in September and October. The water inspiration will go with the glass vessels Sarah Hinds is anticipating for the show. Right now I am on the move with my two young sons who are free from school. We had an active vacation at a Florida Beach where I did some sketches and now we are off to camp on some family land in Pennsylvania. Not an ideal situation for painting Florida water but I am interested in what will result from the "quiet" of the woods. Although I am thankful for all of the fun we have had so far this Summer, I'm eager for some intense painting time. Who knows what exactly will result, I will have to go with the flow and see.

Flying Boy

This painting is not quite what I had in mind for my next work but it was fun to do. There is some drawing and photography research I want to do as preparation for my next painting but I haven't had time yet. It's next on my list.

Eureka!

With this painting I feel like I have finally found something that I have been desperately in search of for years. It was so unexpected, like turning over a rock by accident and finding a gemstone. I have been working and working and then boom everything came together; a meaningful idea, a satisfying methodology and successful visual painting elements. Also it seemed independent of my own desires and mood. I was feeling rather lousy about myself and just about everything and then this idea for a painting just came and worked. I plan to do a series of this idea and if that starts to happen, then I will explain the meaning more clearly. I don't want to jinx it all just yet.
I do find comfort in that artistic success comes from consistent work and not from personal happiness or state of mind. I have rediscovered that drawing in a sketchbook is very important to my process. Not to get a blueprint for a painting, but to put shapes into my visual memory. So that when I am painting, I can just be free to paint and not feel I have to be tied to any reference. I also think I will have to have a new motivation to get work done, like a ritualistic schedule instead of a frenzied search. I observed in Korea that the way people did tasks had to be like worship for them. How else could you be at peace cleaning a sidewalk with tiny brushes or trimming shrubbery to immaculate perfection?

Obessive

I really worked hard on painting this week. So much that I started to question my sanity. It is hard to stop painting and switch gears sometimes. The orange landscape is very detailed and it is a large painting, 36" x 24". I wanted to get away from painting hard outlines and details so I started painting just areas of color in the blue one with the two birds. I am still working on it and adjusting to painting with thicker paint and modeling paste.

Dots and Dashes

I don't know how I started painting like this, it wasn't a conscience effort. I do think these paintings will show well with the glass work in the Fall. Then I will have a show at the Thomas Center with glass blowers, Sarah Hinds and Sky Campbell.

I am finding sketching more and more valuable, which I think is a positive leap for
me. I don't consider photos of much value in my process. I am thinking to myself "I wish I had a sketch book right now" rather than a camera.

In subject matter, I want to get back to creating a fantasy world, an utopia. I am thinking I will try not starting my process in such a wet fluid state for the next couple of paintings and see if I can get to some more defined bold strokes and layering. I am constantly amazed about how the beginning of a painting process dictates the final product. I expect it to change drastically but it ends up returning to where it started.

Misty Cedar


















Water Hyacinths II






















Water Hyacinths I

A Walk in the Rain

Two Boys
A walk home in the rain
Pouring boots onto the porch in brown puddles
White socks turned to dark gray
Stripped of clothes at the door
Bits of black mulch and brown leaves stuck to their scalps
A long deep bath
After a "walk" in the rain
Two boys

Evening BBQ on the Bay

This party was my last adventure in Open Air Arts until the Gala reception on April 11th. (I am going on a family trip) The weather was glorious and I turned in three paintings. It was a perfect ending. I loved talking to other artists about their works in progress. I can't wait to see all of the finished products. To see pictures: http://freshsqueezedart.blogspot.com/2009/04/when-artists-pary.html

Open Air Arts

I made a slide show of my experience so far at the Open Air Arts event in Melrose, FL. I made an old fashion animated gif and do not know how to post it here. It is too late at night to figure out new tricks so please see my web page.
I am having fun on my plein air painting adventure but I am exhausted. I also fully intended to paint in my abstract style but I guess I am too close to the subject matter. Too close physically and mentally. For my abstracts I do a series of quick sketches and become removed from the subject matter before beginning a painting.

H*A*P*P*Y

What a contrast to last week, I am so happy with my new painting. When I got to this point, I used to think, "I have arrived everything will be easy now". But it is not like that. Art is ephemeral and hard to grasp. It could crash in failure at any time but for now I have success and I will enjoy the moment.












Check out this website. This makes me excited and inspired on many levels. I didn't have anything to do with this design: http://www.throwdownyourheart.com/

But I am helping with the graphics for our new web site at the gallery: http://melrosebayartgallery.com

Roses, Roses, Roses are bad

I want to post this to remind myself not to do this again. When I start without a compositional sketch and no clear idea I usually get this. I become too descriptive because I have vague shapes and I want to develop them into something clear. I want to be suggestive with art that is how you get to something meaningful and universal. I really need to have more than one painting going at one time. That helps me not to overwork the paintings and dwell on the failed ones.

On a positive note, the weather and spring flowers outside are beautiful. I think I will go take a walk and try to wash my brain from this.

I did successfully design a poster for Open Air Arts this week. It features one of Gary Borse's paintings which is gorgeous. I can't wait for Open Air Arts it so much fun to see what all of the different artists will produce.

Crossroads?

My new painting Out of the Swamp makes me feel content.
It seems for me there is two types of art that I can do. One is an abstract portrayal of nature that I like to do because I love to play with the colors and shapes. This work doesn't have a deep meaning, but it is really interesting visually. This work has brought me more recognition from the "art critics" such as getting into juried shows.
The other work has a subject matter that is largely developed from my imagination during the creative process. This work is fun because the unexpected happens. Many people that visit art fairs seem to really connect with this art. It is not for everyone, some only like realism. But the people that do like it are passionate about it and bring their own interpretations to it. But this work is somehow not serious enough for the art critics to accept and reward.
I am really happy to do either kind of art work. I did feel I needed to concentrate on abstract shapes and colors for a while to learn to craft a better painting. Now I am going to try to marry the two approaches and see what happens. Do other artists continually need to make these conscious choices? Or does their artwork progress and change on its own? It seems I am always getting stuck in these situations where I need to choose which way to go.

Out of the Swamp








Thanks Tim Malles for taking this photo of me painting at the Tioga art fair this past weekend. These cows weren't created from my imagination but derived from my sketches and photos.

High Key, Low key

I loved painting the abstract with the lighter pastel colors. It flowed from the beginning to end and was fun to paint. I call this High Key Tree, light colors on the value scale are called high key. Although this painting has too many dark values to truly be a high key painting. I had so much fun, that I decided to paint a match to it in low key colors, darker values. But this one has been a struggle from beginning to end. I have added a lot of light colors to it and I'm still working on it. I don't think I can hang this painting next to the other one as I had planned. The two styles of the paintings do not match. The next time I want to paint a diptych, I will paint on both paintings at the same time, as if they are one painting.
Just as these two paintings were to represent high and low so was the mood in the studio. Joy then struggle. Painting, just as life, is filled with triumphs and failures.

Black and White

The artists at the gallery really like the card I designed for next month's show at the Melrose Bay Gallery. I like it too. I am finding the black and white art by Sean Sexton and Michael Kemp so refreshing. I am tempted to try it myself. But the sketches I have been doing lately are breaking down what I see in the landscape into basic shapes. I know that I need basic shapes in order to paint. If I were to try black and white I believe I would need to describe the forms more with line.



Does anyone have inspirational black and white art to share?

I have been running across Van Gogh's drawings lately and find them just as fascinating as his paintings. He was a genius. Take a look at these links. They are not my favorite of his drawings but they give you a good idea. http://www.vangoghgallery.com/catalog/Drawing/1574/Starry-Night.html
http://www.vangoghgallery.com/catalog/Drawing/867/Cypresses-with-Two-Women-in-the-Foreground.html

Design Class

I am teaching a design class using illustration methods of illustration as an adjunct at Santa Fe College. The first project uses cut paper and color to illustrate an emotion. I got this project from professor Rhonda Peyton and the idea to use a mundane object as the subject matter from Matthew Kelly from Central College. I enjoyed doing this project myself over the weekend as a class example and found using verbal lists to formulate ideas satisfying. The text for the class suggests using verbal lists and I want to try this with my paintings which is why I am posting it here.
I decided to use "haughty" and a chair. I looked up "haughty" in a dictionary and thesaurus. From that I determined I wanted to use shiny papers, "lordly" gold and eventually decided I wanted icy blue for the "cold shoulder" feeling. At first I was going to use black for the background to show sophistication but then I thought that it was too much black and not conveying the mood that I was after. I decided to use the icy blue that I thought about when doing the verbal map. After choosing the background color, I went on the computer and happened to see this image in a newspaper review of a show at the Harn. I was thrilled that my choice of background color was confirmed in this portrayal of the King of Hip-Hop. The artist was after the same "lordly" feeling and come up with the same background.
Kehinde Wiley's "Simon George I" is on display at the Harn Museum of Art.

Happy New Year

This year more than most, I am ready for a fresh start. There was a saying my girlfriend's Mom had when I was growing up, " bloom where you are planted". That's what I am thinking right now and being thankful for what I have.

Holiday Gala

I went to the gallery yesterday and it looked gorgeous. The most full and exciting I have seen it look in awhile. Seeing new work by Margaret Tolbert and Norman Jensen was inspiring and Gary Borse's large painting Rhapsody in Blue is a must see. Having the new fine crafts and new jewelry interspersed was very inviting and made me want to shop and shop. Like finding treasures. All are invited to come enjoy Melrose and the galleries this Saturday starting at 10 am and a special reception with music from 6 to 8 pm.

New Paintings

I haven't been posting lately, but I have been painting. I don't think I have hit on the combination of all of the elements that I am striving for in a painting. The task may be impossible but that's what keeps an artist's life interesting. I went on a quest to find more definite shapes and forms in my paintings. But now I miss some of the organic things that happen by chance due to the nature of wet paint. I was reminded that if I want paintings to build and evolve from beginning to end that the initial strokes or splashes of paint are very important. With a good beginning, contrast, color unity, shapes and composition can all be put on a path to success. I may not have my subject matter exactly in the right direction either. I started sketching trees for inspiration for abstract shape but now I have begun to make the trees into isolated icons. I do value the element of imagination in paintings and maybe more of a sense of space will give the mind a place to wander. I am interested in tackling the figure again also.

Complexity

I seem to be moving towards complexity through many shapes, abstraction and a sense of movement. I am wondering how imagination can become a factor again. Maybe have a series that is not in paint but drawing and collage and that would be more narrative.



Am I being influenced by my studio mate? He is not quite three but very inspiring.



























This is William's castle with a flag on top. I love it.

I thought it might be interesting for other artists to see which paintings sold this past weekend. I put a red square around the paintings that sold. Although you can never put much stock into what you think is going to sell. You have to just follow your muse and do the best work that you can.

New Painting

Life is crazy with all of the boys' activities and teaching a college class for the first time. The class is intensive and only half a semester. The class is so packed that I am behind now since I took a breather to paint. Oh well, it will mean less than adequate sleep but painting is good for my sanity. Looking forward to October 4 and 5 and the Thornebrook Art Festival. My work is being featured on the advertisements this year, great exposure.
I am happy with the direction of this painting. I want to work with the center and the purple bird more and some of the rectangles on the bottom. Some of the yellow areas has metallic gold paint, it is reminiscent of Klimt. Enjoy your weekend, the weather is gorgeous here today.

Summer's Almost Over

I don't know if the following link will work but it is a link to our photos from our trip out West this Summer. Link Photos

My boys had a fun filled Summer and I showed my art a lot. I showed in June with the glass artists, Sarah Hinds and Sky Campbell, and subsequently got a show with them at the Thomas Center Gallery. The show entitled Reflections Beyond Time and Space will be in the Fall of 2009. My painting,Festival Tree, was excepted into the juried exhibition at the Thomas Center in July. I was pleased because I have been rejected for the last four years after having three pieces accepted in 2003. The reception was a lot of fun with all of the women artists from Melrose Bay Gallery getting in. I'm glad to confirm that I keep good company.
I did the Art Walk downtown at the end of July. I feel like the general public like my narrative/symbolic image paintings and that artists and art critics like the more abstract paintings based on nature. I like it when I start with the abstract and it turns into something unexpected like "Leaving It Behind". I haven't done any good paintings of late. I think because I am not starting enough at one time. Hopefully I will get back on schedule soon. But since I am preparing to teach my first college class I don't know how soon. The text for the class is fabulous, Launching the Imagination. It almost covers everything you need to know about making any kind of art. It has me asking myself if I have enough reasons why I am creating what I do. Do I need more reasons for choosing acrylic paint and pine trees for abstract inspiration?

I also fell in love with the work of two new-to-me artists this Summer. Chris Natrop, www.chrisnatrop.com and Peter Doig. I love the paintings Doig was doing around 1990-91. So what do you think? Do I need to make my art and medium choice have more of a purpose?